"She came to see what she could do. She had been tremendously upset, the day before, by what had taken place at your father's, and she had posted down to Ricks on the inspiration of the moment. She hadn't meant it on leaving home; it was the sight of you closeted there with Owen that had suddenly determined her. The whole story, she said, was written in your two faces: she spoke as if she had never seen such an exhibition. Owen was on the brink, but there might still be time to save him, and it was with this idea she had bearded me in my den. 'What won't a mother do, you know?'—that was one of the things she said. What wouldn't a mother do indeed? I thought I had sufficiently shown her what! She tried to break me down by an appeal to my good nature, as she called it, and from the moment she opened on you, from the moment she denounced Owen's falsity, I was as good-natured as she could wish. I understood that it was a plea for mere mercy, that you and he between you were killing her child. Of course I was delighted that Mona should be killed, but I was studiously kind to Mrs. Brigstock. At the same time I was honest, I didn't pretend to anything I couldn't feel. I asked her why the marriage hadn't taken place months ago, when Owen was perfectly ready; and I showed her how completely that fatuous mistake on Mona's part cleared his responsibility. It was she who had killed him—it was she who had destroyed his affection, his illusions. Did she want him now when he was estranged, when he was disgusted, when he had a sore grievance? She reminded me that Mona had a sore grievance too, but she admitted that she hadn't come to me to speak of that. What she had come to me for was not to get the old things back, but simply to get Owen. What she wanted was that I would, in simple pity, see fair play. Owen had been awfully bedeviled—she didn't call it that, she called it 'misled'—but it was simply you who had bedeviled him. He would be all right still if I would see that you were out of the way. She asked me point-blank if it was possible I could want him to marry you." Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth.!

Fleda smiled again. "I haven't the least idea." "What of that?" asked Fleda.

The girl had a promise that the wonderful house should be shown her early in July, when Mrs. Gereth would return to it as to her home; but even before this initiation she put her finger on the spot that in the poor lady's troubled soul ached hardest. This was the misery that haunted her, the dread of the inevitable surrender. What Fleda had to sit up to was the confirmed appearance that Owen Gereth would marry Mona Brigstock, marry her in his mother's teeth, and that such an act would have incalculable bearings. They were present to Mrs. Gereth, her companion could see, with a vividness that at moments almost ceased to be that of sanity. She would have to give up Poynton, and give it up to a product of Waterbath—that was the wrong that rankled, the humiliation at which Fleda would be able adequately to shudder only when she should know the place. She did know Waterbath, and she despised it—she had that qualification for sympathy. Her sympathy was intelligent, for she read deep into the matter; she stared, aghast, as it came home to her for the first time, at the cruel English custom of the expropriation of the lonely mother. Mr. Gereth had apparently been a very amiable man, but Mr. Gereth had left things in a way that made the girl marvel. The house and its contents had been treated as a single splendid object; everything was to go straight to his son, and his widow was to have a maintenance and a cottage in another county. No account whatever had been taken of her relation to her treasures, of the passion with which she had waited for them, worked for them, picked them over, made them worthy of each other and the house, watched them, loved them, lived with them. He appeared to have assumed that she would settle questions with her son, that he could depend upon Owen's affection. And in truth, as poor Mrs. Gereth inquired, how could he possibly have had a prevision—he who turned his eyes instinctively from everything repulsive—of anything so abnormal as a Waterbath Brigstock? He had been in ugly houses enough, but had escaped that particular nightmare. Nothing so perverse could have been expected to happen as that the heir to the loveliest thing in England should be inspired to hand it over to a girl so exceptionally tainted. Mrs. Gereth spoke of poor Mona's taint as if to mention it were almost a violation of decency, and a person who had listened without enlightenment would have wondered of what fault the girl had been or had indeed not been guilty. But Owen had from a boy never cared, had never had the least pride or pleasure in his home. They looked at each other with a long, deep gaze. Then, as Mrs. Gereth seemed again about to speak, the girl, closing her eyes, made a gesture of strong prohibition. "Don't tell me!" "I know you can, or I shouldn't dream of speaking. When the pressure was removed she came up again. From the moment the house was once more what it had to be, her natural charm reasserted itself."